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Scope note: This class comprises works that have been planned to result in a manifestation product type and that pertain to the rendering of expressions from other works. Examples: - The concept of publishing Stephen Crane’s complete poems (as edited by Joseph Katz), which includes the idea that every time a stanza jumps over a page change, the statement ‘[NO STANZA BREAK]’ should be printed as a warning for readers that the new page continues the same stanza - The concept, on behalf of publisher named ‘Verlag Neue Kunsthandlung’, of issuing together, around 1925, three formerly independent publications (‘Emil Orlik’ by Max Osborn – vol. 2 within the series named ‘Graphiker der Gegenwart’, published in 1920; ‘Anders Zorn’ by Paul Friedrich – vol. 10 within the series named ‘Graphiker der Gegenwart’, published in 1924; and ‘Max Slevogt’ by Julius Elias – vol. 11 within the series named ‘Graphiker der Gegenwart’, published in 1923) as one, new publication, entitled ‘102 Bilder aus der Sammlung Graphiker der Gegenwart’ - The concept, on behalf of publisher named ‘Dell’, of issuing together in 2002 three novels, titled ‘The partner’, ‘The street lawyer’, and ‘A time to kill’, by author named ‘John Grisham’, with just the statement ‘Three #1 bestsellers by John Grisham’ as a collective title

AttributesValues
type
label
  • publication work
comment
  • Scope note: This class comprises works that have been planned to result in a manifestation product type and that pertain to the rendering of expressions from other works. Examples: - The concept of publishing Stephen Crane’s complete poems (as edited by Joseph Katz), which includes the idea that every time a stanza jumps over a page change, the statement ‘[NO STANZA BREAK]’ should be printed as a warning for readers that the new page continues the same stanza - The concept, on behalf of publisher named ‘Verlag Neue Kunsthandlung’, of issuing together, around 1925, three formerly independent publications (‘Emil Orlik’ by Max Osborn – vol. 2 within the series named ‘Graphiker der Gegenwart’, published in 1920; ‘Anders Zorn’ by Paul Friedrich – vol. 10 within the series named ‘Graphiker der Gegenwart’, published in 1924; and ‘Max Slevogt’ by Julius Elias – vol. 11 within the series named ‘Graphiker der Gegenwart’, published in 1923) as one, new publication, entitled ‘102 Bilder aus der Sammlung Graphiker der Gegenwart’ - The concept, on behalf of publisher named ‘Dell’, of issuing together in 2002 three novels, titled ‘The partner’, ‘The street lawyer’, and ‘A time to kill’, by author named ‘John Grisham’, with just the statement ‘Three #1 bestsellers by John Grisham’ as a collective title
  • Scope note: This class comprises works that have been planned to result in a manifestation product type and that pertain to the rendering of expressions from other works. Examples: The concept of publishing Stephen Crane’s complete poems (as edited by Joseph Katz), which includes the idea that every time a stanza jumps over a page change, the statement ‘[NO STANZA BREAK]’ should be printed as a warning for readers that the new page continues the same stanza The concept, on behalf of publisher named ‘Verlag Neue Kunsthandlung’, of issuing together, around 1925, three formerly independent publications (‘Emil Orlik’ by Max Osborn – vol. 2 within the series named ‘Graphiker der Gegenwart’, published in 1920; ‘Anders Zorn’ by Paul Friedrich – vol. 10 within the series named ‘Graphiker der Gegenwart’, published in 1924; and ‘Max Slevogt’ by Julius Elias – vol. 11 within the series named ‘Graphiker der Gegenwart’, published in 1923) as one, new publication, entitled ‘102 Bilder aus der Sammlung Graphiker der Gegenwart’ The concept, on behalf of publisher named ‘Dell’, of issuing together in 2002 three novels, titled ‘The partner’, ‘The street lawyer’, and ‘A time to kill’, by author named ‘John Grisham’, with just the statement ‘Three #1 bestsellers by John Grisham’ as a collective title
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