<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://data.doremus.org/ontology#U13_has_casting>	<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215/casting/1> .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://erlangen-crm.org/current/P3_has_note>	"Com\u00E9die lyrique en trois actes et sept sc\u00E8nes ; livret de Gallet, d'apr\u00E8s Anatole France, dont le ton plut\u00F4t anti-cl\u00E9rical a \u00E9t\u00E9 \"adouci\" par le librettiste ; Massenet fit une version remani\u00E9e en 1897 (ajout et/ou changement de sc\u00E8nes et de ballets). M\u00EAme si l'op\u00E9ra n'a pas eu la popularit\u00E9 de \"Manon\" ou de \"Werther\", il a connu un tr\u00E8s grand succ\u00E8s ; la c\u00E9l\u00E8bre \"M\u00E9ditation\" a \u00E9t\u00E9 de nombreuses fois adapt\u00E9e."@fr .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://www.w3.org/ns/prov#wasGeneratedBy>	<http://data.doremus.org/activity/65e2d870-cff3-3ea8-b6e6-4914bf6942de> .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Premi\u00E8re version cr\u00E9\u00E9e le 16 mars 1894 \u00E0 l'Op\u00E9ra de Paris (Sybil Sanderson, d\u00E9dicataire du r\u00F4le-titre), seconde version le 13 avril 1898. Edit\u00E9 chez Heugel"@fr .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://www.w3.org/ns/prov#wasGeneratedBy>	<http://data.doremus.org/activity/6abfdb55-7788-330c-b9b8-c81f4fe2d16e> .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://www.w3.org/ns/prov#wasAttributedTo>	<http://data.doremus.org/organization/DOREMUS> .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://erlangen-crm.org/efrbroo/F22_Self-Contained_Expression> .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://www.w3.org/2002/07/owl#sameAs>	<http://digital.philharmoniedeparis.fr/doc/CIMU/0782492> .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://data.doremus.org/source/philharmonie/0782493> .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://erlangen-crm.org/current/P3_has_note>	"Premi\u00E8re version cr\u00E9\u00E9e le 16 mars 1894 \u00E0 l'Op\u00E9ra de Paris (Sybil Sanderson, d\u00E9dicataire du r\u00F4le-titre), seconde version le 13 avril 1898. Edit\u00E9 chez Heugel"@fr .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://data.doremus.org/ontology#U5_had_premiere>	<http://data.doremus.org/performance/0d30eaa3-ab3d-3f2a-8505-034b08677f63> .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://www.w3.org/2000/01/rdf-schema#label>	"Tha\u00EFs" .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://erlangen-crm.org/current/P102_has_title>	"Tha\u00EFs" .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://purl.org/dc/elements/1.1/identifier>	"0782492" .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://data.doremus.org/source/philharmonie/0782492> .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://www.w3.org/2000/01/rdf-schema#label>	"Tha\u00EFs (Op\u00E9ras)" .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://data.doremus.org/ontology#U12_has_genre>	<http://data.doremus.org/vocabulary/iaml/genre/op> .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://data.doremus.org/ontology#U71_has_uniform_title>	"Tha\u00EFs (Op\u00E9ras)" .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://data.doremus.org/ontology#U4_had_princeps_publication>	<http://data.doremus.org/event/368c33db-13f8-3028-bc55-2e29884bfb16> .
<http://data.doremus.org/expression/6989cea2-160b-3e57-b519-2c68ddea5215>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Com\u00E9die lyrique en trois actes et sept sc\u00E8nes ; livret de Gallet, d'apr\u00E8s Anatole France, dont le ton plut\u00F4t anti-cl\u00E9rical a \u00E9t\u00E9 \"adouci\" par le librettiste ; Massenet fit une version remani\u00E9e en 1897 (ajout et/ou changement de sc\u00E8nes et de ballets). M\u00EAme si l'op\u00E9ra n'a pas eu la popularit\u00E9 de \"Manon\" ou de \"Werther\", il a connu un tr\u00E8s grand succ\u00E8s ; la c\u00E9l\u00E8bre \"M\u00E9ditation\" a \u00E9t\u00E9 de nombreuses fois adapt\u00E9e."@fr .