@prefix rdf: . @prefix efrbroo: . @prefix owl: . efrbroo:F24_Publication_Expression rdf:type owl:Class . @prefix rdfs: . efrbroo:F24_Publication_Expression rdfs:label "publication expression"@en ; rdfs:comment "Scope note:\nThis class comprises complete sets of signs present in publications, reflecting publishers\u2019 final decisions as to both content and layout of the publications.\n\nExamples:\n- The text, its layout and the textual and graphic (Saur\u2019s logo on p. [i]) content of front and back cover, spine (spine title), and p. [i-iv] of the publication entitled \u2018Functional Requirements for Bibliographic Records: final report\u2019, published by K. G. Saur in 1998, identified by ISBN \u20183-598-11382-X\u2019\n\n- The overall content of the book identified by ISBN \u20180-8014-9130-4\u2019: the text of Stephen Crane\u2019s complete poems as edited by Joseph Katz, the numbering system introduced by Joseph Katz in order to identify each individual poem by Stephen Crane, page numbers, the text of Joseph Katz\u2019s dedication, preface, acknowledgements, and introduction, the table of contents, the index of first lines, the statements found on title page, back of title page (including CIP bibliographic record), cover front, back front, and spine, and the layout of the publication; for one of Stephen Crane\u2019s longer poems, printed on p. 142-143, a statement reads at bottom of p. 142: \u2018[NO STANZA BREAK]\u2019: obviously, this statement does not belong to the Self-Contained Expression intended by Stephen Crane, and presumably not to the one intended by editor Joseph Katz either, but was more probably added by the publishing team, due to characteristics of the layout of the publication: a cautious reader can easily interpret \u2018[NO STANZA BREAK]\u2019 as non-belonging to the poem itself, but an OCR process would not make the distinction between the text of the poem and the statement made by the publisher; \u2018[NO STANZA BREAK]\u2019 belongs to the Publication Expression, although it does not belong to the Self-Contained Expression intended by Stephen Crane and Joseph Katz\n\n- The overall content of the LP sound recording identified by label and label number \u2018CBS 34-61237\u2019: a recorded performance of Terry Riley\u2019s musical work \u2018In C\u2019, the text of liner notes by Paul Williams translated into French by Bernard Weinberg, technical statements such as \u2018Stereo,\u2019 publisher\u2019s logo, series logo, title and statement of responsibility on front, back, and spine of the cover and on the recording itself, duration statement, cover art by G. Joly, overall layout, etc.; a special, shunting sound was added at the end of side one and beginning of side two, as Terry Riley\u2019s work is in the form of a continuous musical flow without any interruption and the technical possibilities of vinyl LPs did not allow the complete performance to be contained on just one side: that special, shunting sound was not intended in Riley\u2019s score nor in the performance but was added by the publisher (with or without Riley\u2019s consent, this detail is not documented), and as such it is part of the Publication Expression although it is not part of the composer\u2019s and the performers\u2019 Self-Contained Expression (this shunting sound was no longer needed in subsequent releases on CD)\n\n- The overall content of the DVD entitled \u2018The Aviator (2-Disc Full Screen Edition)\u2019, released in 2004: Martin Scorsese\u2019s movie itself; layout of the box and the two DVDs contained in the box; pictures on the DVDs themselves; English, Spanish, and French subtitles; English and French audio tracks; and bonuses: commentaries by director Martin Scorsese, editor Thelma Schoonmaker, and producer Michael Mann; a deleted scene (\u2018Howard Tells Ava About His Car Accident\u2019); and featurettes \u2018A Life Without Limits: The Making of The Aviator\u2019; \u2018The Role of Howard Hughes in Aviation History\u2019; \u2018Modern Marvels: Howard Hughes, A Documentary by the History Channel\u2019; \u2018The Visual Effects of The Aviator\u2019; \u2018The Affliction of Howard Hughes: Obsessive Compulsive Disorder\u2019; \u2018The Age of Glamour: The Hair And Makeup of The Aviator\u2019; \u2018Costuming The Aviator: The Work of Sandy Powell\u2019; \u2018Constructing The Aviator: The Work of Dante Ferretti\u2019; \u2018An evening with Leonardo DiCaprio and Alan Alda\u2019; \u2018OCD Panel Discussion With Leonardo DiCaprio, Martin Scorsese, and Howard Hughes\u2019 Widow Terry Moore\u2019; \u2018Still Gallery\u2019; \u2018Scoring The Aviator: The Work Of Howard Shore\u2019; and \u2018The Wainwright Family \u2013 Loudon, Rufus and Martha\u2019\n\t\t"@en , "Scope note:\t\nThis class comprises complete sets of signs present in publications, reflecting publishers\u2019 final decisions as to both content and layout of the publications.\n\nExamples:\nThe text, its layout and the textual and graphic (Saur\u2019s logo on p. [i]) content of front and back cover, spine (spine title), and p. [i-iv] of the publication entitled \u2018Functional Requirements for Bibliographic Records: final report\u2019, published by K. G. Saur in 1998, identified by ISBN \u20183-598-11382-X\u2019\n\nThe overall content of the book identified by ISBN \u20180-8014-9130-4\u2019: the text of Stephen Crane\u2019s complete poems as edited by Joseph Katz, the numbering system introduced by Joseph Katz in order to identify each individual poem by Stephen Crane, page numbers, the text of Joseph Katz\u2019s dedication, preface, acknowledgements, and introduction, the table of contents, the index of first lines, the statements found on title page, back of title page (including CIP bibliographic record), cover front, back front, and spine, and the layout of the publication; for one of Stephen Crane\u2019s longer poems, printed on p. 142-143, a statement reads at bottom of p. 142: \u2018[NO STANZA BREAK]\u2019: obviously, this statement does not belong to the Self-Contained Expression intended by Stephen Crane, and presumably not to the one intended by editor Joseph Katz either, but was more probably added by the publishing team, due to characteristics of the layout of the publication: a cautious reader can easily interpret \u2018[NO STANZA BREAK]\u2019 as non-belonging to the poem itself, but an OCR process would not make the distinction between the text of the poem and the statement made by the publisher; \u2018[NO STANZA BREAK]\u2019 belongs to the Publication Expression, although it does not belong to the Self-Contained Expression intended by Stephen Crane and Joseph Katz\n\nThe overall content of the LP sound recording identified by label and label number \u2018CBS 34-61237\u2019: a recorded performance of Terry Riley\u2019s musical work \u2018In C\u2019, the text of liner notes by Paul Williams translated into French by Bernard Weinberg, technical statements such as \u2018Stereo,\u2019 publisher\u2019s logo, series logo, title and statement of responsibility on front, back, and spine of the cover and on the recording itself, duration statement, cover art by G. Joly, overall layout, etc.; a special, shunting sound was added at the end of side one and beginning of side two, as Terry Riley\u2019s work is in the form of a continuous musical flow without any interruption and the technical possibilities of vinyl LPs did not allow the complete performance to be contained on just one side: that special, shunting sound was not intended in Riley\u2019s score nor in the performance but was added by the publisher (with or without Riley\u2019s consent, this detail is not documented), and as such it is part of the Publication Expression although it is not part of the composer\u2019s and the performers\u2019 Self-Contained Expression (this shunting sound was no longer needed in subsequent releases on CD)\n\nThe overall content of the DVD entitled \u2018The Aviator (2-Disc Full Screen Edition)\u2019, released in 2004: Martin Scorsese\u2019s movie itself; layout of the box and the two DVDs contained in the box; pictures on the DVDs themselves; English, Spanish, and French subtitles; English and French audio tracks; and bonuses: commentaries by director Martin Scorsese, editor Thelma Schoonmaker, and producer Michael Mann; a deleted scene (\u2018Howard Tells Ava About His Car Accident\u2019); and featurettes \u2018A Life Without Limits: The Making of The Aviator\u2019; \u2018The Role of Howard Hughes in Aviation History\u2019; \u2018Modern Marvels: Howard Hughes, A Documentary by the History Channel\u2019; \u2018The Visual Effects of The Aviator\u2019; \u2018The Affliction of Howard Hughes: Obsessive Compulsive Disorder\u2019; \u2018The Age of Glamour: The Hair And Makeup of The Aviator\u2019; \u2018Costuming The Aviator: The Work of Sandy Powell\u2019; \u2018Constructing The Aviator: The Work of Dante Ferretti\u2019; \u2018An evening with Leonardo DiCaprio and Alan Alda\u2019; \u2018OCD Panel Discussion With Leonardo DiCaprio, Martin Scorsese, and Howard Hughes\u2019 Widow Terry Moore\u2019; \u2018Still Gallery\u2019; \u2018Scoring The Aviator: The Work Of Howard Shore\u2019; and \u2018The Wainwright Family \u2013 Loudon, Rufus and Martha\u2019\n\t\t"@en ; rdfs:subClassOf _:b10186 , _:b4747120 , _:b4747121 , efrbroo:F22_Self-Contained_Expression . _:b10186 rdf:type owl:Restriction ; owl:onProperty efrbroo:R24i_was_created_through ; owl:someValuesFrom efrbroo:F30_Publication_Event . _:b4747120 rdf:type owl:Restriction ; owl:onProperty efrbroo:CLR6i_should_be_carried_by . @prefix xsd: . _:b4747120 owl:maxCardinality "1"^^xsd:nonNegativeInteger . _:b4747121 rdf:type owl:Restriction ; owl:onProperty efrbroo:R24i_was_created_through ; owl:someValuesFrom efrbroo:F30_Publication_Event .