@prefix rdf: . @prefix efrbroo: . @prefix owl: . efrbroo:F31_Performance rdf:type owl:Class . @prefix rdfs: . efrbroo:F31_Performance rdfs:label "performance"@en ; rdfs:comment "Scope note:\nThis class comprises activities that follow the directions of a performance plan, such as a theatrical play, an expression of a choreographic work or a musical work; i.e., they are intended to communicate directly or indirectly to an audience.\n\nSuch activities can be identified at various levels of granularity, and can be contiguous or not. Any individual performance (with or without intermissions) is a single instance of F31 Performance. In addition, a complete run of performances can also be seen as an instance of F31 Performance, with individual performances as parts. A complete run of performances may comprise an original run plus any of its extensions and tours.\n\nNote that a performance plan may be more or less elaborate, and may even foresee just improvisation.\n\nExamples:\nPerforming the first performance of a Yiddish translation of the textual work entitled \u2018King Lear\u2019, as directed by Sergei Radlov, in Moscow, at the Moscow State Jewish Theatre, on February 10, 1935 [individual performance]\n\nPerforming the ballet entitled \u2018Rite of spring\u2019, as choreographed by Pina Bausch, in Avignon, at the Popes\u2019 Palace, on July 7, 1995 [individual performance]\n\nPerforming the operatic work entitled \u2018Dido and Aeneas\u2019, as directed by Edward Gordon Craig and conducted by Martin Shaw, in London, Hampstead Conservatoire, on May 17, 18, and 19, 1900 [run of performances]\n\t\t"@en . @prefix ecrm: . efrbroo:F31_Performance rdfs:subClassOf ecrm:E7_Activity .