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Namespace Prefixes

PrefixIRI
rdfshttp://www.w3.org/2000/01/rdf-schema#
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
owlhttp://www.w3.org/2002/07/owl#
efrbroohttp://erlangen-crm.org/efrbroo/
xsdhhttp://www.w3.org/2001/XMLSchema#

Statements

Subject Item
efrbroo:R18_created
rdf:type
owl:ObjectProperty
rdfs:subPropertyOf
ecrm:P108_has_produced
rdfs:label
created
rdfs:domain
efrbroo:F28_Expression_Creation
rdfs:range
efrbroo:F4_Manifestation_Singleton
rdfs:comment
Scope note: This property associates an instance of F28 Expression Creation with the first physical objects in which the resulting instance of F2 Expression was embodied. Examples: - Emily Dickinson’s creating the text of one of the several extant versions of her poem known as ‘Safe in their alabaster chambers’ (F28) R18 created The manuscript now identified as ‘Massachusetts Cambridge Harvard University Houghton Library bMS Am 1118.3 (203c, 203d)’ (F4) - Emily Dickinson’s creating the text of another one of the several extant versions of her poem known as ‘Safe in their alabaster chambers’ (F28) R18 created The manuscript now identified as ‘Massachusetts Cambridge Harvard University Houghton Library bMS Am 1118.5 (74c)’ (F4) - The recording of the third alternate take of the musical work entitled ‘Blue Hawaii’ performed by Elvis Presley in Hollywood, Calif., Radio Recorders, on March 22nd, 1961 (F28) R18 created The master tape of the 3rd alternate take of the musical work entitled ‘Blue Hawaii’ performed by Elvis Presley in Hollywood, Calif., Radio Recorders, on March 22nd, 1961 (F4) (each individual take is a distinct expression) - The resource (a drawing) held by the New York Public Library and identified by call number ‘*MGZGB Far P Cop 1’ (F4) R18B was created by The creation, by the artist named ‘Peter Farmer’, of a costume design for the character named ‘War’ in the Act III Masque of the seasons, in the Festival Ballet of London production of the choreographic work entitled ‘Coppélia’, with choreography by Jack Carter after Petipa (F28) Scope note: This property associates an instance of F28 Expression Creation with the first physical objects in which the resulting instance of F2 Expression was embodied. Examples: Emily Dickinson’s creating the text of one of the several extant versions of her poem known as ‘Safe in their alabaster chambers’ (F28) R18 created The manuscript now identified as ‘Massachusetts Cambridge Harvard University Houghton Library bMS Am 1118.3 (203c, 203d)’ (F4) Emily Dickinson’s creating the text of another one of the several extant versions of her poem known as ‘Safe in their alabaster chambers’ (F28) R18 created The manuscript now identified as ‘Massachusetts Cambridge Harvard University Houghton Library bMS Am 1118.5 (74c)’ (F4) The recording of the third alternate take of the musical work entitled ‘Blue Hawaii’ performed by Elvis Presley in Hollywood, Calif., Radio Recorders, on March 22nd, 1961 (F28) R18 created The master tape of the 3rd alternate take of the musical work entitled ‘Blue Hawaii’ performed by Elvis Presley in Hollywood, Calif., Radio Recorders, on March 22nd, 1961 (F4) (each individual take is a distinct expression) The resource (a drawing) held by the New York Public Library and identified by call number ‘*MGZGB Far P Cop 1’ (F4) R18B was created by The creation, by the artist named ‘Peter Farmer’, of a costume design for the character named ‘War’ in the Act III Masque of the seasons, in the Festival Ballet of London production of the choreographic work entitled ‘Coppélia’, with choreography by Jack Carter after Petipa (F28)