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Fernando De Lucia (11 October 1860 or 1 September 1861 – 21 February 1925) was an Italian opera tenor and singing teacher who enjoyed an international career. De Lucia was admired in his lifetime as a striking exponent of verismo parts — particularly Canio in Leoncavallo's Pagliacci — and of certain roles written by Verdi and Puccini. Since then, however, he has acquired a great posthumous reputation among record-collectors for something different. They hail him as the exemplar of a type of graceful, ornamental tenor singing which originated prior to verismo and that went out of fashion for a long time, only to reemerge in recent years. Especially valued are the recordings that De Lucia made of Almaviva's arias and duets from Rossini's bel canto comic opera Il barbiere di Siviglia (The Bar

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  • Fernando De Lucia
  • Fernando De Lucia
  • Fernando De Lucia
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  • Fernando De Lucia (11 October 1860 or 1 September 1861 – 21 February 1925) was an Italian opera tenor and singing teacher who enjoyed an international career. De Lucia was admired in his lifetime as a striking exponent of verismo parts — particularly Canio in Leoncavallo's Pagliacci — and of certain roles written by Verdi and Puccini. Since then, however, he has acquired a great posthumous reputation among record-collectors for something different. They hail him as the exemplar of a type of graceful, ornamental tenor singing which originated prior to verismo and that went out of fashion for a long time, only to reemerge in recent years. Especially valued are the recordings that De Lucia made of Almaviva's arias and duets from Rossini's bel canto comic opera Il barbiere di Siviglia (The Bar (en)
  • Fernando De Lucia est un ténor italien, né à Naples le 11 octobre 1860 et mort à Naples le 21 février 1925. (fr)
  • Fernando de Lucia (* 1860 in Neapel; † 1925 ebenda) war ein italienischer Opernsänger (Tenor) und Gesangslehrer. (de)
  • Fernando de Lucia (Nápoles, 11 de octubre de 1860 - Nápoles, 21 de febrero de 1925) fue un famoso tenor italiano. Durante su servicio militar, su voz atrajo la atención por primera vez en una recepción en Caserta. Primero estudió fagot y contrabajo en el Conservatorio de San Pietro a Majella de Nápoles, después estudió canto con Carelli y Lombardi. Debutó como Faust en el Teatro de San Carlos en 1885. Se le comenzó a conocer en papeles de tenor ligero, como el Almaviva de El barbero de Sevilla, pero a partir de 1890 se impuso con los papeles de tenor del nuevo estilo verista, como Turiddu o Canio. Al principio de su carrera frecuentó el Teatro Real de Madrid. En 1889 triunfó en Buenos Aires y Montevideo. En el Metropolitan solo cantó en la temporada 1893/94. En el Covent Garden tuvo un gra (es)
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  • Fernando De Lucia
  • Fernando De Lucia
  • Fernando De Lucia
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Fernando_De_LUcia_-_Hamburger_Archive_für_Gesangskunst_252_3_(adjusted).jpg
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  • 13893139
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  • Fernando
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  • De Lucia, Fernando (1860-1925)
  • De Lucia, Fernando (1860-1925)
  • De Lucia, Fernando (1860-1925)
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is P14 carried out by of
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