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Andrea Antico (also Andrea Antico da Montona, Anticho, Antiquo) (c. 1480 – after 1538) was an Italian music printer, editor, publisher and composer of the Renaissance, of Istrian birth, active in Rome and in Venice. He was the first printer of sacred music in Rome, and the earliest competitor of Venetian Ottaviano Petrucci, who is regarded as the first significant music printer.

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  • Andrea Antico (Montona, omstreeks 1480 – overleden na 1538) was een muziekdrukker, editor, uitgever en componist uit de renaissance, actief in Rome. Hij was de eerste drukker van geestelijke muziek in Rome en de vroegste concurrent van de Venetiaan Ottaviano Petrucci, die geacht wordt de eerste muziekdrukker van betekenis te zijn geweest. (nl)
  • Andrea Antico (also Andrea Antico da Montona, Anticho, Antiquo) (c. 1480 – after 1538) was an Italian music printer, editor, publisher and composer of the Renaissance, of Istrian birth, active in Rome and in Venice. He was the first printer of sacred music in Rome, and the earliest competitor of Venetian Ottaviano Petrucci, who is regarded as the first significant music printer. (en)
  • Andrea Antico, également connu sous les noms d'Andrea Antico da Montona, Anticho, Antiquo, né vers 1480 et mort après 1538, est un imprimeur et éditeur de musique, et un compositeur italien de la Renaissance. Né en Istrie, son activité est documentée à Rome et à Venise. Il est le premier imprimeur de musique sacrée à Rome, et le premier concurrent du vénitien Ottaviano Petrucci, lui-même considéré comme le premier grand imprimeur de musique. (fr)
  • Si occupò principalmente di editoria musicale e composizione musicale. Generalmente è considerato come il maggiore antagonista di Ottaviano Petrucci da Fossombrone, benché i due utilizzassero tecniche di stampa diverse: Petrucci inventò la stampa a caratteri mobili con triplice impressione, Antico praticava la xilografia. Eccellente miniatore, Antico incideva su una matrice di legno la pagina di musica che poi avrebbe impresso su carta. Questo procedimento era più economico rispetto alla stampa a caratteri mobili, ma le edizioni erano sicuramente meno belle e precise. (it)
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