About: François Georges Auguste Dauverné     Goto   Sponge   NotDistinct   Permalink

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François Georges Auguste Dauverné (16 February 1799 – 4 November 1874) was a French trumpeter who in 1827 was the first to use the new F three valved trumpet in public performance. Dauverné was amongst the first to realise the potential of the newly invented valve trumpet after its arrival in Paris from Berlin and is credited with persuading several composers to write for it including Berlioz (Waverley Overture 1827) and Rossini (Guillaume Tell 1829). François Dauverné retired from teaching on 1 January 1859 and died in Paris on 4 November 1874.

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  • François Georges Auguste Dauverné (* 16. Februar 1799 in Paris; † 4. November 1874 ebenda) war ein französischer Trompeter, Komponist und Professor am Pariser Konservatorium und gilt als einer der bedeutendsten französischen Trompeter des 19. Jahrhunderts. (de)
  • François Georges Auguste Dauverné (16 February 1799 – 4 November 1874) was a French trumpeter who in 1827 was the first to use the new F three valved trumpet in public performance. Dauverné was amongst the first to realise the potential of the newly invented valve trumpet after its arrival in Paris from Berlin and is credited with persuading several composers to write for it including Berlioz (Waverley Overture 1827) and Rossini (Guillaume Tell 1829). François Dauverné retired from teaching on 1 January 1859 and died in Paris on 4 November 1874. (en)
  • François Georges Auguste Dauverné (16 février 1799 – 4 novembre 1874) est un trompettiste français. (fr)
  • Fu il primo professore di tromba moderna al Conservatorio di Parigi, maestro di Jean Baptiste Arban e autore di numerosi testi didattici sulla tromba ancora oggi diffusi e praticati. (it)
  • Франсуа́ Жорж Огю́ст Доверне́ (фр. François Georges Auguste Dauverné; 16 февраля 1799 — 4 ноября 1874) — французский трубач. Первоначально был трубачом королевской гвардии, с 1820-х гг. вёл также концертную деятельность. В 1827 г. первым начал использовать в публичных выступлениях новую хроматическую трубу германской конструкции; считается, что именно под влиянием Доверне такой инструмент был использован в партитурах увертюры Гектора Берлиоза «Уэверли» (1827) и оперы Россини «Вильгельм Телль» (1829). (ru)
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