<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://www.w3.org/ns/prov#wasAttributedTo>	<http://data.doremus.org/organization/DOREMUS> .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Cr\u00E9\u00E9 \u00E0 Vienne, Verein f\u00FCr Kunst und Musik, par Etta Werndorff, le 14 janvier 1910"@fr .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Date de r\u00E9vision : 1929"@fr .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://www.w3.org/2000/01/rdf-schema#label>	"Drei Klavierst\u00FCcke" .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://erlangen-crm.org/current/P3_has_note>	"La pi\u00E8ce no 2 a fait l'objet d'un arrangement (\"Konzertm\u00E4ssige Interpretation\") par Ferrucio Busoni"@fr .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://erlangen-crm.org/current/P3_has_note>	"Cr\u00E9\u00E9 \u00E0 Vienne, Verein f\u00FCr Kunst und Musik, par Etta Werndorff, le 14 janvier 1910"@fr .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://erlangen-crm.org/current/P3_has_note>	"Date de r\u00E9vision : 1929"@fr .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://erlangen-crm.org/efrbroo/F22_Self-Contained_Expression> .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://data.doremus.org/ontology#U13_has_casting>	<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407/casting/1> .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://data.doremus.org/ontology#U71_has_uniform_title>	"3 Klavierst\u00FCcke" .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://data.doremus.org/ontology#U70_has_original_title>	"Drei Klavierst\u00FCcke" .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://data.doremus.org/ontology#U227_has_content_type>	<http://rdaregistry.info/termList/RDAContentType/1010> .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://purl.org/dc/elements/1.1/identifier>	"13918853" .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://data.doremus.org/ontology#U68_has_variant_title>	"Drei Klavierst\u00FCcke" .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://www.w3.org/ns/prov#wasGeneratedBy>	<http://data.doremus.org/activity/31719a40-a89a-3b58-965a-a2aa523f50f9> .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://data.doremus.org/ontology#U12_has_genre>	<http://data.doremus.org/vocabulary/iaml/genre/zz> .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://data.doremus.org/ontology#U17_has_opus_statement>	<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407/opus/11> .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://www.w3.org/2002/07/owl#sameAs>	<http://data.bnf.fr/ark:/12148/cb139188532> .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://catalogue.bnf.fr/ark:/12148/cb139188532.intermarc> .
<http://data.doremus.org/expression/b7dfe7d2-ad1f-33e6-9d14-de3f1a03f407>	<http://www.w3.org/2000/01/rdf-schema#comment>	"La pi\u00E8ce no 2 a fait l'objet d'un arrangement (\"Konzertm\u00E4ssige Interpretation\") par Ferrucio Busoni"@fr .