<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://www.w3.org/ns/prov#wasGeneratedBy>	<http://data.doremus.org/activity/f2192a03-1de3-398e-8120-7969e9e62615> .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://data.doremus.org/ontology#U13_has_casting>	<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1/casting/1> .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://data.doremus.org/source/philharmonie/0892154> .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://www.w3.org/2000/01/rdf-schema#label>	"Suite concertante" .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://purl.org/dc/elements/1.1/identifier>	"0892155" .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://erlangen-crm.org/efrbroo/F22_Self-Contained_Expression> .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://www.w3.org/2002/07/owl#sameAs>	<http://digital.philharmoniedeparis.fr/doc/CIMU/0892155> .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://www.w3.org/ns/prov#wasAttributedTo>	<http://data.doremus.org/organization/DOREMUS> .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://data.doremus.org/ontology#U67_has_subtitle>	"pour piano et orchestre \u00E0 vents" .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://data.doremus.org/ontology#U71_has_uniform_title>	"Suite concertante. piano et orchestre \u00E0 vents" .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://erlangen-crm.org/current/P3_has_note>	"Oeuvre en trois mouvements, chacun conservant le caract\u00E8re d'origine de trois danses argentines : Huayno, Zamba, Malambo. Dur\u00E9e : 20 minutes environ."@fr .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://www.w3.org/ns/prov#wasGeneratedBy>	<http://data.doremus.org/activity/3b96fedc-b876-3490-ac38-e3cc926a954b> .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://www.w3.org/2000/01/rdf-schema#label>	"Suite concertante. piano et orchestre \u00E0 vents" .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Oeuvre en trois mouvements, chacun conservant le caract\u00E8re d'origine de trois danses argentines : Huayno, Zamba, Malambo. Dur\u00E9e : 20 minutes environ."@fr .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://erlangen-crm.org/current/P102_has_title>	"Suite concertante" .
<http://data.doremus.org/expression/c42741d6-2b41-37b6-90ba-903bd61a73c1>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://data.doremus.org/source/philharmonie/0892155> .