<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://data.doremus.org/ontology#U7_foresees_place_at>	<http://data.doremus.org/place/49c87b18-7040-3c79-9566-e8608c6ccb49> .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://purl.org/dc/elements/1.1/identifier>	"e17970" .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://data.doremus.org/source/euterpe/17970> .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://data.doremus.org/ontology#M26_Foreseen_Performance> .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://www.w3.org/2000/01/rdf-schema#comment>	"C\u2019est sous la forme d\u2019un dialogue Est-Ouest que se situe ce programme, donnant aux deux compositeurs chinois le ton d\u2019un \u00E9cho \u00E0 la vieille Europe qu\u2019ils ont bien connue. Premier grand prix du concours de Bordeaux en 2016 et d\u00E9sormais r\u00E9sident chez ProQuartet, le Quatuor Akilone cr\u00E9e deux \u0153uvres nouvelles, dont Aquilone lontano de la compositrice Xu Yi \u2013 le terme italien aquilone signifiant \u00AB cerf-volant \u00BB."@fr .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://erlangen-crm.org/current/P102_has_title>	"D\u2019Ouest en Est" .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://xmlns.com/foaf/0.1/isPrimaryTopicOf>	<http://philharmoniedeparis.fr/fr/activite/17970> .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://erlangen-crm.org/current/P69_has_association_with>	<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53/1> .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://erlangen-crm.org/current/P69_has_association_with>	<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53/3> .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://data.doremus.org/ontology#U8_foresees_time_span>	<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53/interval/0> .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://erlangen-crm.org/current/P69_has_association_with>	<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53/4> .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://www.w3.org/ns/prov#wasGeneratedBy>	<http://data.doremus.org/activity/593e2835-3a27-3d82-8c74-54991c324e05> .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://erlangen-crm.org/current/P69_has_association_with>	<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53/2> .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://data.doremus.org/ontology#U67_has_subtitle>	"Quatuor Akilone" .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://data.doremus.org/ontology#U77_foresees_performing_plan>	<http://data.doremus.org/expression/6efdfb6a-d567-3324-a395-a90a36069d6c> .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://data.doremus.org/ontology#U7_foresees_place_at>	<http://data.doremus.org/place/bd21be9c-3f2b-3aa3-a460-114d579eabe6> .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://erlangen-crm.org/current/P2_has_type>	"concert"@fr .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://www.w3.org/2000/01/rdf-schema#label>	"D\u2019Ouest en Est" .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://erlangen-crm.org/current/P3_has_note>	"C\u2019est sous la forme d\u2019un dialogue Est-Ouest que se situe ce programme, donnant aux deux compositeurs chinois le ton d\u2019un \u00E9cho \u00E0 la vieille Europe qu\u2019ils ont bien connue. Premier grand prix du concours de Bordeaux en 2016 et d\u00E9sormais r\u00E9sident chez ProQuartet, le Quatuor Akilone cr\u00E9e deux \u0153uvres nouvelles, dont Aquilone lontano de la compositrice Xu Yi \u2013 le terme italien aquilone signifiant \u00AB cerf-volant \u00BB."@fr .
<http://data.doremus.org/performance/4c7afa47-f9f3-3f20-aaf0-f3a143da7e53>	<http://www.w3.org/ns/prov#wasAttributedTo>	<http://data.doremus.org/organization/DOREMUS> .