"publication work"@en . . . "Scope note:\nThis class comprises works that have been planned to result in a manifestation product type and that pertain to the rendering of expressions from other works.\n\nExamples:\n- The concept of publishing Stephen Crane\u2019s complete poems (as edited by Joseph Katz), which includes the idea that every time a stanza jumps over a page change, the statement \u2018[NO STANZA BREAK]\u2019 should be printed as a warning for readers that the new page continues the same stanza\n\n- The concept, on behalf of publisher named \u2018Verlag Neue Kunsthandlung\u2019, of issuing together, around 1925, three formerly independent publications (\u2018Emil Orlik\u2019 by Max Osborn \u2013 vol. 2 within the series named \u2018Graphiker der Gegenwart\u2019, published in 1920; \u2018Anders Zorn\u2019 by Paul Friedrich \u2013 vol. 10 within the series named \u2018Graphiker der Gegenwart\u2019, published in 1924; and \u2018Max Slevogt\u2019 by Julius Elias \u2013 vol. 11 within the series named \u2018Graphiker der Gegenwart\u2019, published in 1923) as one, new publication, entitled \u2018102 Bilder aus der Sammlung Graphiker der Gegenwart\u2019\n\n- The concept, on behalf of publisher named \u2018Dell\u2019, of issuing together in 2002 three novels, titled \u2018The partner\u2019, \u2018The street lawyer\u2019, and \u2018A time to kill\u2019, by author named \u2018John Grisham\u2019, with just the statement \u2018Three #1 bestsellers by John Grisham\u2019 as a collective title\n\t\t"@en . "Scope note:\nThis class comprises works that have been planned to result in a manifestation product type and that pertain to the rendering of expressions from other works.\n\nExamples:\nThe concept of publishing Stephen Crane\u2019s complete poems (as edited by Joseph Katz), which includes the idea that every time a stanza jumps over a page change, the statement \u2018[NO STANZA BREAK]\u2019 should be printed as a warning for readers that the new page continues the same stanza\n\nThe concept, on behalf of publisher named \u2018Verlag Neue Kunsthandlung\u2019, of issuing together, around 1925, three formerly independent publications (\u2018Emil Orlik\u2019 by Max Osborn \u2013 vol. 2 within the series named \u2018Graphiker der Gegenwart\u2019, published in 1920; \u2018Anders Zorn\u2019 by Paul Friedrich \u2013 vol. 10 within the series named \u2018Graphiker der Gegenwart\u2019, published in 1924; and \u2018Max Slevogt\u2019 by Julius Elias \u2013 vol. 11 within the series named \u2018Graphiker der Gegenwart\u2019, published in 1923) as one, new publication, entitled \u2018102 Bilder aus der Sammlung Graphiker der Gegenwart\u2019\n\nThe concept, on behalf of publisher named \u2018Dell\u2019, of issuing together in 2002 three novels, titled \u2018The partner\u2019, \u2018The street lawyer\u2019, and \u2018A time to kill\u2019, by author named \u2018John Grisham\u2019, with just the statement \u2018Three #1 bestsellers by John Grisham\u2019 as a collective title\n\t\t"@en .