"performance work"@en . . "Scope note:\nThis class comprises the sets of concepts for rendering a particular or a series of like performances.\n\nF20 Performance Work is declared as a subclass of F16 Container Work. This implies that the incorporated expressions (such as the text of the staged play, the text of the argument for the ballet, the recorded music to be used for the ballet, or the content of the musical score to be used for a concert, etc.) are not by themselves a part of the expression of this F1 Work. Rather, an expression (F25 Performance Plan) of the instructions the stage production, choreography or musical performance consists of incorporates (R14) that textual or musical content. In other words, the text of \u2018Hamlet\u2019 is not a component of the concepts that underlie a given mise-en-sc\u00E8ne of \u2018Hamlet\u2019, but any staging directions (F25 Performance Plan) that convey a given director\u2019s vision of \u2018Hamlet\u2019 must necessarily incorporate the text of \u2018Hamlet\u2019.\n\nExamples:\nThe conceptual content of Sergei Radlov\u2019s mise-en-sc\u00E8ne of a Yiddish translation of the textual work entitled \u2018King Lear\u2019 in Moscow in 1935\n\nThe conceptual content of Pina Bausch\u2019s choreography of the ballet entitled \u2018Rite of spring\u2019 in Wuppertal in 1975\n\nThe conceptual content of Bruno Walter\u2019s performance of Gustav Mahler\u2019s 9th symphony in 1961\n\nThe conceptual content of the \u201Cperformance handbook\u201D for Luigi Nono\u2019s musical work entitled \u2018\u00C0 Pierre\u2019\n\t\t"@en . . "Scope note:\n\nThis class comprises the sets of concepts for rendering a particular or a series of like performances.\n\nF20 Performance Work is declared as a subclass of F16 Container Work. This implies that the incorporated expressions (such as the text of the staged play, the text of the argument for the ballet, the recorded music to be used for the ballet, or the content of the musical score to be used for a concert, etc.) are not by themselves a part of the expression of this F1 Work. Rather, an expression (F25 Performance Plan) of the instructions the stage production, choreography or musical performance consists of incorporates (P165) that textual or musical content. In other words, the text of \u2018Hamlet\u2019 is not a component of the concepts that underlie a given mise-en-sc\u00E8ne of \u2018Hamlet\u2019, but any staging directions (F25 Performance Plan) that convey a given director\u2019s vision of \u2018Hamlet\u2019 must necessarily incorporate the text of \u2018Hamlet\u2019.\n\nExamples:\n\n-The conceptual content of Sergei Radlov\u2019s mise-en-sc\u00E8ne of a Yiddish translation of the textual work entitled \u2018King Lear\u2019 in Moscow in 1935.\n\n-The conceptual content of Pina Bausch\u2019s choreography of the ballet entitled \u2018Rite of spring\u2019 in Wuppertal in 1975.\n\n-The conceptual content of Bruno Walter\u2019s performance of Gustav Mahler\u2019s 9th symphony in 1961.\n\n- The conceptual content of the \u201Cperformance handbook\u201D for Luigi Nono\u2019s musical work entitled \u2018\u00C0 Pierre\u2019.\n\nProperties:\tR12 is realised in (realises): F25 Performance Plan"@en .