<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://erlangen-crm.org/current/P3_has_note>	"Cet op\u00E9ra est un \"pasticcio\" ou oeuvre collective : chaque acte a \u00E9t\u00E9 compos\u00E9 par un musicien diff\u00E9rent, pratique courante dans l'op\u00E9ra baroque. Il n'en a \u00E9t\u00E9 conserv\u00E9 que le livret int\u00E9gral, et l'acte 2, compos\u00E9 par VIvaldi. On connait cependant l'identit\u00E9 des deux autres compositeurs : Benedetto Micheli (1699-1784) pour l'acte 1, et Nicola Romaldi (1680-1730) pour l'acte 3. La distribution fut totalement masculine, les deux r\u00F4les f\u00E9minins \u00E9tant tenus par des castrats c\u00E9l\u00E8bres : Giovanani Orsi (Cl\u00E9op\u00E2tre) et Carlo Pera (Apam\u00E9e).Le livret est inspir\u00E9 des \"Vies parall\u00E8les\" de Plutarque, du Ier si\u00E8cle, dans lesquelles apparaissent Tigrane victorieux et sa femme Cl\u00E9op\u00E2tre du Pont, fille de Mithridate."@fr .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://erlangen-crm.org/efrbroo/F22_Self-Contained_Expression> .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://erlangen-crm.org/current/P3_has_note>	"Cr\u00E9\u00E9 \u00E0 Rome, Teatro Capranica, lors du Carnaval de 1724"@fr .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://erlangen-crm.org/current/P102_has_title>	"La Virtu trionfante dell'amore e dell'odio ovvero Il Tigrane" .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://data.doremus.org/ontology#U13_has_casting>	<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41/casting/1> .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://www.w3.org/2000/01/rdf-schema#label>	"La Virtu trionfante dell'amore e dell'odio ovvero Il Tigrane" .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://data.doremus.org/source/philharmonie/1043121> .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://data.doremus.org/ontology#U16_has_catalogue_statement>	<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41/catalog/RV_740> .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://www.w3.org/ns/prov#wasAttributedTo>	<http://data.doremus.org/organization/DOREMUS> .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://data.doremus.org/ontology#U68_has_variant_title>	"Il Tigrane. R 740 (Op\u00E9ras)" .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://www.w3.org/2002/07/owl#sameAs>	<http://digital.philharmoniedeparis.fr/doc/CIMU/1043122> .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://www.w3.org/ns/prov#wasGeneratedBy>	<http://data.doremus.org/activity/6eeca621-7118-38b8-b47b-321c7a975985> .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://www.w3.org/2000/01/rdf-schema#label>	"La Virtu trionfante dell'amore e dell'odio ovvero Il Tigrane. RV 740 (Op\u00E9ra)" .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://data.doremus.org/ontology#U12_has_genre>	<http://data.doremus.org/vocabulary/iaml/genre/op> .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://data.doremus.org/ontology#U71_has_uniform_title>	"La Virtu trionfante dell'amore e dell'odio ovvero Il Tigrane. RV 740 (Op\u00E9ra)" .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Cr\u00E9\u00E9 \u00E0 Rome, Teatro Capranica, lors du Carnaval de 1724"@fr .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://data.doremus.org/source/philharmonie/1043122> .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://data.doremus.org/ontology#U16_has_catalogue_statement>	<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41/catalog/R_740> .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Cet op\u00E9ra est un \"pasticcio\" ou oeuvre collective : chaque acte a \u00E9t\u00E9 compos\u00E9 par un musicien diff\u00E9rent, pratique courante dans l'op\u00E9ra baroque. Il n'en a \u00E9t\u00E9 conserv\u00E9 que le livret int\u00E9gral, et l'acte 2, compos\u00E9 par VIvaldi. On connait cependant l'identit\u00E9 des deux autres compositeurs : Benedetto Micheli (1699-1784) pour l'acte 1, et Nicola Romaldi (1680-1730) pour l'acte 3. La distribution fut totalement masculine, les deux r\u00F4les f\u00E9minins \u00E9tant tenus par des castrats c\u00E9l\u00E8bres : Giovanani Orsi (Cl\u00E9op\u00E2tre) et Carlo Pera (Apam\u00E9e).Le livret est inspir\u00E9 des \"Vies parall\u00E8les\" de Plutarque, du Ier si\u00E8cle, dans lesquelles apparaissent Tigrane victorieux et sa femme Cl\u00E9op\u00E2tre du Pont, fille de Mithridate."@fr .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://data.doremus.org/ontology#U5_had_premiere>	<http://data.doremus.org/performance/908516ce-9c15-3316-90de-3be655cfdc4a> .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://www.w3.org/ns/prov#wasGeneratedBy>	<http://data.doremus.org/activity/949b6feb-4e8e-3b6b-ad06-f5d55917fdb1> .
<http://data.doremus.org/expression/409f3dd8-66bb-3633-a361-90dd358f5f41>	<http://purl.org/dc/elements/1.1/identifier>	"1043122" .