<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://data.doremus.org/source/philharmonie/0797904> .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://www.w3.org/2000/01/rdf-schema#label>	"Quatuors. Cordes : 2 violons, alto, violoncelle. KV 465. \"Les Dissonances\"" .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://erlangen-crm.org/current/P3_has_note>	"Cr\u00E9\u00E9 le 11 f\u00E9vrier 1785 \u00E0 Salzbourg. Premi\u00E8re publication : Artaria, 1785"@fr .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://erlangen-crm.org/current/P102_has_title>	"Quatuor \u00E0 cordes no 19 \"Les dissonances\"" .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://data.doremus.org/ontology#U16_has_catalogue_statement>	<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1/catalog/KV_465> .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://data.doremus.org/ontology#U11_has_key>	<http://data.doremus.org/vocabulary/key/c> .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://erlangen-crm.org/efrbroo/F22_Self-Contained_Expression> .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://data.doremus.org/ontology#U13_has_casting>	<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1/casting/1> .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://www.w3.org/ns/prov#wasAttributedTo>	<http://data.doremus.org/organization/DOREMUS> .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://data.doremus.org/ontology#U68_has_variant_title>	"6 quatuors d\u00E9di\u00E9s \u00E0 Haydn" .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://purl.org/dc/elements/1.1/identifier>	"0971851" .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://data.doremus.org/ontology#U5_had_premiere>	<http://data.doremus.org/performance/8c41e750-1c04-383e-839f-d174931a81ed> .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://www.w3.org/ns/prov#wasGeneratedBy>	<http://data.doremus.org/activity/b121f592-73e6-3cbc-a856-17d70d074d05> .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://erlangen-crm.org/current/P3_has_note>	"Il s'agit du sixi\u00E8me quatuor des \"Six quatuors d\u00E9di\u00E9s \u00E0 Haydn\", compos\u00E9s apr\u00E8s la r\u00E9v\u00E9lation des \"Quatuors russes\" de Haydn, o\u00F9 celui-ci invente une \u00E9criture sans pr\u00E9c\u00E9dent au genre \"quatuor \u00E0 cordes\" : ind\u00E9pendance des voix, langage m\u00E9lant le style galant \u00E0 une \u00E9criture savante, sans la s\u00E9v\u00E9rit\u00E9 de l'\u00E9criture contrapuntique des quatuors pr\u00E9c\u00E9dents. L'oeuvre doit son sous-titre \u00E0 l'introduction du premier mouvement, un \"adagio\" d'une \u00E9criture tr\u00E8s \u00E9labor\u00E9e dans son chromatisme, o\u00F9 abondent des modulations surprenantes. Comprend : 1- Adagio ; Allegro. 2- Andante cantabile. 3- Menuet. Allegretto. 4- Allegro. Dur\u00E9e d'ex\u00E9cution : 30 minutes environ"@fr .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://www.w3.org/ns/prov#wasGeneratedBy>	<http://data.doremus.org/activity/fd5f6315-454c-3d39-a35d-559a678b4d2e> .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Cr\u00E9\u00E9 le 11 f\u00E9vrier 1785 \u00E0 Salzbourg. Premi\u00E8re publication : Artaria, 1785"@fr .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://data.doremus.org/ontology#U4_had_princeps_publication>	<http://data.doremus.org/event/647a425c-3e66-30e5-bca8-52252f5b00df> .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://data.doremus.org/source/philharmonie/0971851> .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Il s'agit du sixi\u00E8me quatuor des \"Six quatuors d\u00E9di\u00E9s \u00E0 Haydn\", compos\u00E9s apr\u00E8s la r\u00E9v\u00E9lation des \"Quatuors russes\" de Haydn, o\u00F9 celui-ci invente une \u00E9criture sans pr\u00E9c\u00E9dent au genre \"quatuor \u00E0 cordes\" : ind\u00E9pendance des voix, langage m\u00E9lant le style galant \u00E0 une \u00E9criture savante, sans la s\u00E9v\u00E9rit\u00E9 de l'\u00E9criture contrapuntique des quatuors pr\u00E9c\u00E9dents. L'oeuvre doit son sous-titre \u00E0 l'introduction du premier mouvement, un \"adagio\" d'une \u00E9criture tr\u00E8s \u00E9labor\u00E9e dans son chromatisme, o\u00F9 abondent des modulations surprenantes. Comprend : 1- Adagio ; Allegro. 2- Andante cantabile. 3- Menuet. Allegretto. 4- Allegro. Dur\u00E9e d'ex\u00E9cution : 30 minutes environ"@fr .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://www.w3.org/2000/01/rdf-schema#label>	"Quatuor \u00E0 cordes no 19 \"Les dissonances\"" .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://www.w3.org/2002/07/owl#sameAs>	<http://digital.philharmoniedeparis.fr/doc/CIMU/0971851> .
<http://data.doremus.org/expression/56d7d600-3d80-37a9-ad08-17a5e08d4ac1>	<http://data.doremus.org/ontology#U71_has_uniform_title>	"Quatuors. Cordes : 2 violons, alto, violoncelle. KV 465. \"Les Dissonances\"" .