<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://www.w3.org/2000/01/rdf-schema#label>	"Cinq pi\u00E8ces enfantines"@fr .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Comprend : \"Pavane de la Belle au bois dormant\" (no 1) ; \"Petit Poucet\" (no 2) ; \"Laideronnette, imp\u00E9ratrice des pagodes\" (no 3) ; \"Les entretiens de la Belle et de la B\u00EAte\" (no 4) ; \"Le jardin f\u00E9\u00E9rique\" (no 5)"@fr .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://catalogue.bnf.fr/ark:/12148/cb13984243k.intermarc> .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://data.doremus.org/ontology#U13_has_casting>	<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6/casting/1> .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://data.doremus.org/ontology#U71_has_uniform_title>	"Ma m\u00E8re l'Oye"@fr .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://data.doremus.org/ontology#U5_had_premiere>	<http://data.doremus.org/performance/06ee1cb8-1e53-3019-8260-9ebfa8f84a70> .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://www.w3.org/2000/01/rdf-schema#comment>	"\"Ma m\u00E8re l'Oye : cinq pi\u00E8ces enfantines\""@fr .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://erlangen-crm.org/current/P3_has_note>	"Comprend : \"Pavane de la Belle au bois dormant\" (no 1) ; \"Petit Poucet\" (no 2) ; \"Laideronnette, imp\u00E9ratrice des pagodes\" (no 3) ; \"Les entretiens de la Belle et de la B\u00EAte\" (no 4) ; \"Le jardin f\u00E9\u00E9rique\" (no 5)"@fr .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://data.doremus.org/ontology#U70_has_original_title>	"Cinq pi\u00E8ces enfantines"@fr .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://erlangen-crm.org/efrbroo/R5_has_component>	<http://data.doremus.org/expression/2aa298dd-fafe-3db1-a692-ee3d59f9d26d> .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://data.doremus.org/ontology#U227_has_content_type>	<http://rdaregistry.info/termList/RDAContentType/1010> .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://www.w3.org/2002/07/owl#sameAs>	<http://data.bnf.fr/ark:/12148/cb13984243k> .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://erlangen-crm.org/current/P3_has_note>	"\"Ma m\u00E8re l'Oye : cinq pi\u00E8ces enfantines\""@fr .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://purl.org/dc/elements/1.1/identifier>	"13984243" .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://www.w3.org/ns/prov#wasAttributedTo>	<http://data.doremus.org/organization/DOREMUS> .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://www.w3.org/ns/prov#wasGeneratedBy>	<http://data.doremus.org/activity/34de95e5-5c79-317a-8a17-51adbc0a621c> .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://erlangen-crm.org/efrbroo/F22_Self-Contained_Expression> .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://data.doremus.org/ontology#U44_has_dedication_statement>	<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6/dedication/1> .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://data.doremus.org/ontology#U16_has_catalogue_statement>	<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6/catalog/O_60> .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://erlangen-crm.org/current/P3_has_note>	"Il existe une \"suite pour orchestre\" tir\u00E9e du cycle par le compositeur en 1911 (Paris : Durand, 1912). La musique de ballet \"Ma m\u00E8re l'Oye\" (O 62) englobe cette suite, avec l'ajout d'un mouvement et d'un pr\u00E9lude"@fr .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://erlangen-crm.org/efrbroo/R5_has_component>	<http://data.doremus.org/expression/ae8d4198-830a-3f3d-bba1-72acc1bbddce> .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Il existe une \"suite pour orchestre\" tir\u00E9e du cycle par le compositeur en 1911 (Paris : Durand, 1912). La musique de ballet \"Ma m\u00E8re l'Oye\" (O 62) englobe cette suite, avec l'ajout d'un mouvement et d'un pr\u00E9lude"@fr .
<http://data.doremus.org/expression/70cca709-d254-31f6-abe0-2c29010c63f6>	<http://data.doremus.org/ontology#U68_has_variant_title>	"Cinq pi\u00E8ces enfantines"@fr .