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Bruce Mather (born May 9, 1939) is a Canadian composer, pianist, and writer who is particularly known for his contributions to contemporary classical music. One of the most notable composers of microtonal music, he was awarded the Jules Léger Prize twice, first in 1979 for his Musique pour Champigny and again in 1993 for Yquem. Some of his other awards include the Composers, Authors and Publishers Association of Canada's Micheline Coulombe Saint-Marcoux prize in 1987 for Barbaresco and the Serge Garant Prize from the Émile Nelligan Foundation in 2000.

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  • Bruce Mather
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  • Pour les articles homonymes, voir Mather. Bruce Mather est un compositeur et pianiste canadien né à Toronto le 9 mai 1939. Il est l'un des compositeurs canadiens de musique microtonale les plus importants Sa rencontre avec le fameux pionnier de la musique microtonale Ivan Wyschnegradsky fut déterminante dans son esthétique et son approche de la musique microtonale. Il a d'ailleurs perpétué dans ses œuvres le principe des espaces non-octaviants chers à Ivan Wyschnegradsky. Son écriture est également inspirée de son amour de la poésie et du vin. (fr)
  • Bruce Mather (born May 9, 1939) is a Canadian composer, pianist, and writer who is particularly known for his contributions to contemporary classical music. One of the most notable composers of microtonal music, he was awarded the Jules Léger Prize twice, first in 1979 for his Musique pour Champigny and again in 1993 for Yquem. Some of his other awards include the Composers, Authors and Publishers Association of Canada's Micheline Coulombe Saint-Marcoux prize in 1987 for Barbaresco and the Serge Garant Prize from the Émile Nelligan Foundation in 2000. (en)
  • James Bruce Mather (* 9. Mai 1939 in Toronto, Ontario) ist ein kanadischer Komponist. Mather studierte von 1952 bis 1957 am Royal Conservatory of Music und dann bis 1959 an der University of Toronto bei Alberto Guerrero, Earle Moss und Alexander Uninsky Klavier und bei Godfrey Ridout, Oskar Morawetz und John Weinzweig Musiktheorie und Komposition. Mit einem Stipendium des Canada Council studierte er bis 1961 am Conservatoire de Paris bei Darius Milhaud Komposition, bei Simone Plé-Caussade Kontrapunkt, bei Olivier Messiaen Analyse und bei Lazare Lévy Klavier. Während der Darmstädter Ferienkurse 1961 kam er in Kontakt mit Pierre Boulez. (de)
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